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The Infernal Reygadas - Arturo Ripstein

Small lyrics Arturo Ripstein, one of the best Mexican filmmakers ( The Castle of Purity, The Holy Office, Chain perpetura, Deep Crimson the Virgin of Lust ), dedicated to Carlos Reygadas, director who may be the most important Latin today. Joyita

taken by Cinencuentro

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The infernal Reygadas - Arturo Ripstein

Battle in Heaven

addition to a threat to all believers, perhaps the most famous hell is this penal colony literature circles Dante imagined. The famous Italian populate it deserved. Time has made that divine punishment Shifting is in poetry and atrocious hermosura.Más classic is the labyrinth of hell with which Reygadas wraps us in its films.

Ripstein

Reygadas can create feelings of a force that can describe only as hell. His three films tell a slow nightmare, like all others, telling the truth askance. His films are almost visceral sense of the word surgery.

Cinema has produced a number of works that refer, almost without hesitation, to hell or the infernal. I reminded Josef von Sternberg go to Fassbinder through much of the expressionist cinema of Hollywood Alemania.El have its moments, but always tempered by the relentless optimism that overrides the nightmares and that is your destino.Fritz Lang bequeathed us great, great examples of atrocious. Chabrol France gives us, perhaps Pasolini Italy. Kim Ki-duk also a few Asian and contemporary, and I believe that Rocha in Brazil looked at the horror up close and with it likely exceeded its doctrine that discriminates against and punished.

Reygadas

In Mexico few come close to this instance. Gamez perhaps in one of his best shots. Arguably Buñuel in Him and Nazario, but little más.Calculo that Reygadas is inspired by the angelic horror of Dreyer and Tarkovsky's poetic. The hell of speaking Reygadas finishes. Japan would be the end of the world and the apocalypse viewed from the side. Battle in Heaven, to the fury of innocence and youth. Silent Light is the end all it covers the resurrección.Agradezco Reygadas's work because it is a labor of guts and heart. It is increasingly rare. It is a work that is far from the aspirations of business success, requiring that ballast movies and that often condescends. Reygadas films for himself and that is a fragile equilibrium, a dangerous choice. And it can be a horrid scream, but with echoes of remarkable beauty.

Reygadas appreciate the work because I have a penchant for hell, I love and concern me. You can know the classics, but it is difficult to contemporary. Time has not gone through them yet. I do not think I'm wrong to guess that the abrupt Reygadas Mexican cinema will become essential.